When We Dip
  • News
  • Music
    • Premieres
    • Podcasts
    • Reviews
    • Playlists
  • Events
    • Africa / Asia / Oceania
    • Europe
    • North America
    • South America
    • United Kingdom & Ireland
  • Interviews
    • Dip Publishing Series
    • Dip Studio Series
    • Insider Insight
    • Interviews
    • Studio Tips
  • Genre
    • Afro House
    • Deep House
    • Disco
    • House
    • Indie Dance
    • Melodic House
    • Melodic Techno
    • Organic House
    • Progressive House
    • Tech House
    • Techno
  • XYZ
  • Arts & Culture

Premiere: Mathew Jonson joins StrataSonic with slow-burning rework of ANiML’s ‘Baby D’

Premiere: Joey London Style lands on the Martinez Brothers’ Cuttin Headz’ with low-lung, late-night ‘Stange Dream’ EP

Premiere: Imeïa impresses on return to Sum Over Histories with vulnerable, introspective cuts via ‘We Are The Enemy’ EP

Premiere: Theus Mago defies genres on DGTL Records across cinematic 10 track album, ‘MUN/SEA’

Premiere: House Music With Love enlists El Mundo for sultry rework of Florian Rietze and Lassjo’s (aka Calaido) ‘Ainda Ha Tempo’

Premiere: Reaching its zenith, Bedouin’s ‘Temple of Dreams’ remix series welcomes Nandu with a tender, meditative late-night cut of ‘Love and Hate’

Thomas Gaboury-Potvin
Melodic House, News, Premieres
25 January 2024

Bedouin’s lauded debut album ‘Temple Of Dreams’ has soared to remarkable heights, buoyed by collaborations with a constellation of gifted musicians. Since its release, the award-winning duo, renowned for their deep and organic interpretation of house music, has masterfully orchestrated a mesmerizing series of remixes. Already graced by luminaries like Anja Schneider, Catz’ N Dogz, and Harry Romero, the remix series reaches its zenith with Nandu and Santiago Garcia at the helm for the final instalment.

Leading the final instalment is Danish talent Nandu, whose deep, rhythmically grounded sonics are eloquently infused with organic melodies. A familiar name on prestigious labels like Afterlife and Watergate, Nandu’s take on ‘Love and Hate’ emerges as a tender late-night cut. Delicate pads shimmer atop pulsating beats and meditative grooves while a captivating spoken word vocal washes over the dazzling production.

Closing out the remarkable package is Argentinian powerhouse Santiago Garcia, whose work routinely finds its way into the collections of influential tastemakers like Black Coffee, Âme and Solomun. Garcia’s reinterpretation of ‘Aliens’ charts a path through a darker, more enigmatic ambience. The remix is a study in minimalistic intensity, with bare, throbbing kicks underpinning ominous vocals. The track is further intensified by its disquieting pads and intricate percussive elements, creating a hauntingly energetic soundscape.

You can now listen to the full premiere of Nandu’s remix exclusively on When We Dip. Enjoy!

Release Date: January 26th, 2024. Buy Here

Bedouin: Facebook // SoundCloud
Nandu: Facebook // SoundCloud

Human By Default: Facebook // SoundCloud

When We Dip · Premiere: Love and Hate (Nandu Remix) [Human By Default]

Related

Premiere: Mathew Jonson joins StrataSonic with slow-burning rework of ANiML’s ‘Baby D’

Premiere: Joey London Style lands on the Martinez Brothers’ Cuttin Headz’ with low-lung, late-night ‘Stange Dream’ EP

Premiere: Imeïa impresses on return to Sum Over Histories with vulnerable, introspective cuts via ‘We Are The Enemy’ EP

Premiere: Theus Mago defies genres on DGTL Records across cinematic 10 track album, ‘MUN/SEA’

Premiere: House Music With Love enlists El Mundo for sultry rework of Florian Rietze and Lassjo’s (aka Calaido) ‘Ainda Ha Tempo’

Menu

  • Home
  • News
  • Interviews
  • Reviews
  • Events
  • Contact Us

Latest Posts

  • Little Talk with Gojnea76
  • Premiere: Mathew Jonson joins StrataSonic with slow-burning rework of ANiML's 'Baby D'
  • Premiere: Joey London Style lands on the Martinez Brothers' Cuttin Headz' with low-lung, late-night 'Stange Dream' EP

Sign up for our Mailing List

Copyright © 2025 When We Dip
Website Designed & Developed by Emily Ridge