When We Dip
  • News
  • Music
    • Premieres
    • Podcasts
    • Reviews
    • Playlists
  • Events
    • Africa / Asia / Oceania
    • Europe
    • North America
    • South America
    • United Kingdom & Ireland
  • Interviews
    • Dip Publishing Series
    • Dip Studio Series
    • Insider Insight
    • Interviews
    • Studio Tips
  • Genre
    • Afro House
    • Deep House
    • Disco
    • House
    • Indie Dance
    • Melodic House
    • Melodic Techno
    • Organic House
    • Progressive House
    • Tech House
    • Techno
  • XYZ
  • Arts & Culture
Ferhat Albayrak

Premiere: Ferhat Albayrak joins Kaiserdisco’s KD RAW for explosive ‘Master Cuts Vol.10’ compilation

The Scripture - UVITA & OSFUR

Premiere: UVITA and OSFUR debut on Bedouin’s Human By Default under collective alias, The Scripture

AGLF & Rimbano

Premiere: Italy’s AGLF & Rimbano rock Witty Tunes with infectious collab EP, ‘Most Rappers’

Premiere: Retrouve deliver masterclass in diversity & depth across 8 track ‘Feel So Right’ LP via PIV Records

Blaktone SCI+TEC

Premiere: blaktone bring spontaneous, techno grit to SCI+TEC debut with two track ‘Aim’ EP

Premiere: Ede marks Marginlia debut with evocative, peak-time remix of Chemo’s ‘Glock 43’

Rebecca Besnos
Melodic Techno, News, Premieres
5 May 2025

Tel Aviv-based producer Chemo makes a powerful entrance on ELIF’s Marginalia with his debut EP, ‘Late Night’ —a tightly crafted release that balances dark groove, emotional weight, and late-night dancefloor sensibility.

Known for his recent release ‘Blender’ (with ITAYGA and Assaf Michael on HarmonizZ Records), Chemo brings a sound that’s both immersive and direct—channeling stripped-back energy, pulsing rhythms, and subtly complex atmospheres.

The EP opens with ‘Glock 43,’ a stripped-back, tension-filled production built around rolling basslines and sparse, eerie synth work. With a sound that walks the line between minimal groove and deep emotional atmosphere, the track marks Chemo as a bold new name to watch.

On remix duties, Ede—whose music has appeared on Innervisions, Correspondent, TAU and more—reimagines ‘Glock 43’ into a club-ready emotional statement. Known for his richly textured, melody-driven sound, Ede draws from his own story of transformation and belief in the power of dance music to craft a version that is immersive, expansive, and packed with energy. It’s a peak-time weapon rooted in personal resonance.

Closing the EP, ‘Late Night’ explores a more introspective mood—deep pads, off-kilter rhythms, and evocative textures pull the listener into a meditative space, rounding out a release that affirms Marginalia’s commitment to championing forward-thinking artists and sounds.

You can now listen to the full premiere of Ede’s ‘Glock 43’ remix, exclusively on When We Dip. Enjoy!

Release Date: May 9th, 2025. Buy Here

Ede: Instagram // SoundCloud
Chemo: Instagram // SoundCloud
Marginalia: Instagram // SoundCloud

Related

Ferhat Albayrak

Premiere: Ferhat Albayrak joins Kaiserdisco’s KD RAW for explosive ‘Master Cuts Vol.10’ compilation

The Scripture - UVITA & OSFUR

Premiere: UVITA and OSFUR debut on Bedouin’s Human By Default under collective alias, The Scripture

AGLF & Rimbano

Premiere: Italy’s AGLF & Rimbano rock Witty Tunes with infectious collab EP, ‘Most Rappers’

Premiere: Retrouve deliver masterclass in diversity & depth across 8 track ‘Feel So Right’ LP via PIV Records

Blaktone SCI+TEC

Premiere: blaktone bring spontaneous, techno grit to SCI+TEC debut with two track ‘Aim’ EP

Menu

  • Home
  • News
  • Interviews
  • Reviews
  • Events
  • Contact Us

Latest Posts

  • Ferhat Albayrak
    Premiere: Ferhat Albayrak joins Kaiserdisco’s KD RAW for explosive ‘Master Cuts Vol.10’ compilation
  • The Scripture - UVITA & OSFUR
    Premiere: UVITA and OSFUR debut on Bedouin's Human By Default under collective alias, The Scripture
  • Slam
    Slam stun with stripped-back, peak-time homage to the dancefloor across 10 track 'Dark Channel' album

Sign up for our Mailing List

Copyright © 2025 When We Dip
Website Designed & Developed by Emily Ridge